Big O Ending Analysis Essay

Make Your Last Words Count

 

In academic writing, a well-crafted conclusion can provide the final word on the value of your analysis, research, or paper. Complete your conclusions with conviction!

Conclusions show readers the value of your completely developed argument or thoroughly answered question. Consider the conclusion from the reader's perspective. At the end of a paper, a reader wants to know how to benefit from the work you accomplished in your paper. Here are ways to think about the purpose of a conclusion:

  • To connect the paper's findings to a larger context, such as the wider conversation about an issue as it is presented in a course or in other published writing.
  • To suggest the implications of your findings or the importance of the topic.
  • To ask questions or suggest ideas for further research.
  • To revisit your main idea or research question with new insight.

Should you summarize?

Consider what readers can keep track of in their heads. If your paper is long or complex, some summary of your key points will remind readers of the ground you've covered. If your paper is short, your readers may not need a summary. In any paper, you'll want to push beyond mere summary to suggest the implications or applications of your work.

How do you start drafting a conclusion?

Effective conclusions take the paper beyond summary and demonstrate a further appreciation of the paper's argument and its significance: why it works, why it is meaningful, and why it is valuable. To get started, you might ask yourself these questions:

  • How do the ideas in your paper connect to what you have discussed in class, or to what scholars have written in their treatment of your topic?
  • What new ideas have you added to the conversation? What ideas do you critique?
  • What are the limitations of your data, methods, or results?
  • What are the consequences of the strongest idea that comes out of your paper?
  • How can you return to the question or situation you describe in your introduction?

Examples

Mechanical engineering

From Mounting methodologies to measure EUV reticle nonflatness (SPIE Proceedings 7470, 2009), by UW–Madison Professor Roxanne L. Engelstad's lab. Notice how Battula et al. explain the limitations of their findings, and identify specific future developments that would make their proposal more accurately testable.

The horizontal whiffle tree mount should have performed the best considering the kinematics of the 16 support points, as well as theoretically displaying the least amount of gravitational distortions. However, due to possible friction at the pivoted joints and the current tolerances on the whiffle tree system, there were difficulties in using this mount. At this time, the process of averaging the measurements taken at four vertical orientations appears to be the best approach.

Gender and Women's Studies

From Examining Millie and Christine McKoy: Where Enslavement and Enfreakment Meet (Signs 37, 2011), by UW–Madison Professor Ellen Samuels. Notice how Samuels's conclusion briefly summarizes her article's main claims before turning to the consequences of her strongest claims.

While there are still many questions left unanswered about the McKoys, and many possible truths to be drawn from their lives, I have aimed in this article to establish that at least two things are not true: the tale of the beneficent and beloved slaveowners and the resigned, downcast expression on Millie's face in the altered picture. Moreover, I contend that turning away from historical legacies as complex and dangerous as those of enslavement and enfreakment keeps us from being able to understand them and to imagine different futures. We need to develop paradigms of analysis that allow us to perceive and interpret both the radical empowerment of the McKoys' lives and the oppressions that are no less fundamental to their story. Such an analysis must allow for dissonance, contradictions, and even discomfort in its gaze. Only then can we move forward with the work of shaping new representations and new possibilities for extraordinary bodily experience.

Legal writing

From UW–Madison Law Professor Andrew B. Coan's Judicial Capacity and the Substance of Constitutional Law (2012). Notice how this conclusion emphasizes the significance of the topic under consideration.

Judicial capacity has been too long misunderstood and too long neglected. It is a central institutional characteristic of the judiciary, which has significant predictive power in important constitutional domains and also significant normative implications. It deserves consideration from constitutional theorists on par with that accorded to judicial competence and judicial independence. Indeed, it is crucial to a full understanding of both of these much-discussed institutional features of the judiciary.

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Everybody in college hates papers. Students hate writing them so much that they buy, borrow, or steal them instead. Plagiarism is now so commonplace that if we flunked every kid who did it, we’d have a worse attrition rate than a MOOC. And on those rare occasions undergrads do deign to compose their own essays, said exegetic masterpieces usually take them all of half an hour at 4 a.m. to write, and consist accordingly of “arguments” that are at best tangentially related to the coursework, font-manipulated to meet the minimum required page-count. Oh, “attitudes about cultures have changed over time”? I’m so glad you let me know.

Nobody hates writing papers as much as collegeinstructorshategradingpapers (and no, having a robot do it is not the answer). Students of the world: You think it wastes 45 minutes of your sexting time to pluck out three quotes from The Sun Also Rises, summarize the same four plot points 50 times until you hit Page 5, and then crap out a two-sentence conclusion? It wastes 15 hours of my time to mark up my students’ flaccid theses and non sequitur textual “evidence,” not to mention abuse of the comma that should be punishable by some sort of law—all so that you can take a cursory glance at the grade and then chuck the paper forever.

What’s more, if your average college-goer does manage to read through her professor’s comments, she will likely view them as a grievous insult to her entire person, abject proof of how this cruel, unfeeling instructor hates her. That sliver of the student population that actually reads comments and wants to discuss them? They’re kids whose papers are good to begin with, and often obsessed with their GPAs. I guarantee you that every professor you know has given an A to a B paper just to keep a grade-grubber off her junk. (Not talking to you, current students! You’re all magnificent, and going to be president someday. Please do not email me.)

Oh, “attitudes about cultures have changed over time”? I’m so glad you let me know.

When I was growing up, my mother—who, like me, was a “contingent” professor—would sequester herself for days to grade, emerging Medusa-haired and demanding of sympathy. But the older I got, the more that sympathy dissipated: “If you hate grading papers so much,” I’d say, “there’s an easy solution for that.” My mother, not to be trifled with when righteously indignant (that favored state of the professoriate), would snap: “It’s an English class. I can’t not assign papers.”

Mom, friends, educators, students: We don’t have to assign papers, and we should stop. We need to admit that the required-course college essay is a failure. The baccalaureate is the new high-school diploma: abjectly necessary for any decent job in the cosmos. As such, students (and their parents) view college as professional training, an unpleasant necessity en route to that all-important “piece of paper.” Today’s vocationally minded students view World Lit 101 as forced labor, an utterwasteof their time that deserves neither engagement nor effort. So you know what else is a waste of time? Grading these students’ effing papers. It’s time to declare unconditional defeat.

Most students enter college barely able to string three sentences together—and they leave it that way, too. With protracted effort and a rhapsodically engaged instructor, some may learn to craft a clunky but competent essay somewhere along the way. But who cares? My fellowhumanistsinsist valiantly that (among other more elevated reasons) writing humanities papers leads to the crafting of sharp argumentative skills, and thus a lifetime of success in a number of fields in which we have no relevant experience. But my friends who actually work in such fields assure me that most of their colleagues are borderline-illiterate. After all, Mark Zuckerberg’s pre-Facebook Friendster profile bragged “i don’t read” (sic),and look at him.

Of course it would be better for humanity if college in the United States actually required a semblance of adult writing competency. But I have tried everything. I held a workshop dedicated to avoiding vague introductions (“The idea and concept of the duality of sin and righteousness has been at the forefront of our understanding of important concepts since the beginning of time.”) The result was papers that started with two incoherent sentences that had nothing to do with each other. I tried removing the introduction and conclusion altogether, and asking for a three-paragraph miniessay with a specific argument—what I got read like One Direction fan fiction.

I’ve graded drafts and assigned rewrites, and that helps the good students get better, but the bad students, the ones I’m trying to help, just fail to turn in any drafts at all. Meanwhile, I come up for air and realize that with all this extra grading, I’m making 75 cents an hour.

I’m not calling for the end of all papers—just the end of papers in required courses. Some students actually like writing, and let those blessed young souls be English majors, and expound on George Eliot and Virginia Woolf to their hearts’ content, and grow up to become writers, huzzah. But for the common good, leave everyone else out of it.  

Instead of essays, required humanities courses (which I support, for all the reasons William Cronon, Martha Nussbaum, and Paulo Freire give) should return to old-school, hardcore exams, written and oral. You cannot bullshit a line-ID. Nor can you get away with only having read one page of the book when your professor is staring you down with a serious question. And best of all, oral exams barely need grading: If you don’t know what you’re talking about, it is immediately and readily manifest (not to mention, it’s profoundly schadenfroh when a student has to look me in the face and admit he’s done no work).

A Slate Plus Special Feature:

Students hate writing papers, and professors hate grading them. Should we stop assigning them? Listen to the debate on Slate Plus

Plus, replacing papers with rigorous, old-school, St. John’s-style tribulations also addresses an issue humanities-haters love to belabor: Paper-grading is so subjective, and paper-writing so easy to fake, that this gives the humanities their unfortunate reputation as imprecise, feelings-centered disciplines where there are “no right answers.” So let’s start requiring some right answers.

Sure, this quashes the shallow pretense of expecting undergraduates to engage in thoughtful analysis, but they have already proven that they will go to any lengths to avoid doing this. Call me a defeatist, but honestly I’d be happy if a plurality of American college students could discern even the skeletal plot of anything they were assigned. With more exams and no papers, they’ll at least have a shot at retaining, just for a short while, the basic facts of some of the greatest stories ever recorded. In that short while, they may even develop the tiniest inkling of what Martha Nussbaum calls “sympathetic imagination”—the cultivation of our own humanity, and something that unfolds when we’re touched by stories of people who are very much unlike us. And that, frankly, is more than any essay will ever do for them.

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